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Pièces disponibles

Open a larger version of the following image in a popup: Lina Bo Bardi; Marcelo Ferraz; Marcelo Suzuki, Chaise Frei Egidio , Dessin 1987- Edition 2022
Open a larger version of the following image in a popup: Lina Bo Bardi; Marcelo Ferraz; Marcelo Suzuki, Chaise Frei Egidio , Dessin 1987- Edition 2022
Open a larger version of the following image in a popup: Lina Bo Bardi; Marcelo Ferraz; Marcelo Suzuki, Chaise Frei Egidio , Dessin 1987- Edition 2022
Open a larger version of the following image in a popup: Lina Bo Bardi; Marcelo Ferraz; Marcelo Suzuki, Chaise Frei Egidio , Dessin 1987- Edition 2022
Open a larger version of the following image in a popup: Lina Bo Bardi; Marcelo Ferraz; Marcelo Suzuki, Chaise Frei Egidio , Dessin 1987- Edition 2022
Open a larger version of the following image in a popup: Lina Bo Bardi; Marcelo Ferraz; Marcelo Suzuki, Chaise Frei Egidio , Dessin 1987- Edition 2022
Open a larger version of the following image in a popup: Lina Bo Bardi; Marcelo Ferraz; Marcelo Suzuki, Chaise Frei Egidio , Dessin 1987- Edition 2022

Lina Bo Bardi; Marcelo Ferraz; Marcelo Suzuki

Chaise Frei Egidio , Dessin 1987- Edition 2022
Pin massif
Solid pine
50 x 44 x 84 cm /48 assise
343 M

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La chaise Frei Egídio a été développée par Lina Bo Bardi, Marcelo Ferraz et Marcelo Suzuki, pour équiper le théâtre Gregório de Mattos à Salvador. Elle devait être légère et...
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La chaise Frei Egídio a été développée par Lina Bo Bardi, Marcelo Ferraz et Marcelo Suzuki, pour équiper le théâtre Gregório de Mattos à Salvador. Elle devait être légère et facilement transportable et, pour ce faire, elles ont pris comme exemple les chaises pliantes de la renaissance italienne que l'équipe utilisait lorsqu'elle travaillait à la Glass House. En étudiant comment moderniser sa conception, les différentes lattes du modèle classique ont été synthétisées en trois rangées de planches. La définition du bois, des raccords et du matériel était à la charge de Ferraz et Suzuki, qui, en travaillant simultanément sur la conception et la fabrication, ont réussi à finaliser la chaise telle que nous la connaissons. Le nom de la chaise est venu de Lina, qui a voulu rendre hommage au frère qui l'a invitée à concevoir l'église d'Espírito Santo do Cerrado, à Uberlândia, au cours de la décennie précédente. (Marcenaria Barauna)


La structure de la chaise est constituée de quatre pieds en bois massif de pin, reliés par des traverses, qui supportent le siège et le dossier en contreplaqué. Le dossier est légèrement ergonomique pour offrir un soutien confortable à l'utilisateur, tandis que le siège est plat et rectangulaire.

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The Frei Egídio chair was developed by Lina Bo Bardi, Marcelo Ferraz and Marcelo Suzuki, to equip Mattos' Gregório theater in Salvador. It had to be light and easily transportable and, to do so, they took as an example the Italian Renaissance folding chairs that the team used when they worked at the Glass House. By studying how to modernize its design, the different slats of the classic model were synthesized into three rows of boards. The definition of the wood, fittings and equipment was the responsibility of Ferraz and Suzuki, who, working simultaneously on the design and manufacture, managed to finalize the chair as we know it. The name of the chair came from Lina, who wanted to pay tribute to the brother who invited her to design the church of Espírito Santo do Cerrado, in Uberlândia, during the previous decade. (Marcenaria Barauna)


The structure of the chair consists of four solid pine wood legs, connected by sleepers, which support the seat and the plywood backrest. The backrest is slightly ergonomic to offer comfortable support to the user, while the seat is flat and rectangular.

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Provenance

Marcenaria Barauna 
Demande d'informations
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